LAB GROWN HUMAN BRAIN CELL IN PETRI DISH THAT CREATES MUSIC SPARKS MAJOR LABEL BIDDING WAR

LAB GROWN HUMAN BRAIN CELL IN PETRI DISH THAT CREATES MUSIC SPARKS MAJOR LABEL BIDDING WAR

An organoid consisting of human brain cells in a petri dish has become the music industry's hottest unsigned act, with all three major labels reportedly locked in a fierce bidding war to sign the pulsating grey mass before it dries out.

The organoid - a pea-sized cluster of lab-grown human neurons housed at an undisclosed research facility - used as a way of computing AI tasks it began to create music. Within 48 hours, A&R representatives from Universal, Sony, and Warner had descended on the laboratory demanding exclusive listening sessions.

Industry insiders say the frenzy is largely driven by the majors' ongoing frustration with AI music platforms being rejected by the general populous over concerns about copyright and the distinct lack of anything resembling a soul.

"Oh mate, it's brilliant," said one major label executive who wished to remain anonymous "We don't have to deal with actual humans anymore, who can be really annoying and ask for things. It's never going to ask for a bigger advance. It's never going to get into a Twitter beef. It's never going to demand a rider with specific almonds. It's the least possible amount of human we have to deal with."

Not everyone shares the industry's enthusiasm for the organoid's creative output. Dr. Helen Marchetti, a music technology researcher at King's College London, described the recordings as "quite soulless, to be fair.

The bidding war has reportedly reached the tens of millions, with one label allegedly offering the organoid a 360 deal that includes touring, merchandise rights, and a dedicated team of biomedical engineers. Another is said to have promised the organism its own imprint, though sources close to the negotiations noted the organoid "did not appear to be responding to anything."

Festival promoters have also scrambled to book the act for summer lineups, though logistics remain a significant hurdle. Multiple promoters expressed concern that the standard festival environment - characterised by mud, warm lager, and people throwing things - is fundamentally incompatible with an organism that must remain in a sterile, temperature-controlled enclosure to exist.

At press time, the organoid had reportedly begun emitting a low-frequency hum that three separate A&R scouts independently described as "giving Aphex Twin."

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